Loopy Pro: Create music, your way.

What is Loopy Pro?Loopy Pro is a powerful, flexible, and intuitive live looper, sampler, clip launcher and DAW for iPhone and iPad. At its core, it allows you to record and layer sounds in real-time to create complex musical arrangements. But it doesn’t stop there—Loopy Pro offers advanced tools to customize your workflow, build dynamic performance setups, and create a seamless connection between instruments, effects, and external gear.

Use it for live looping, sequencing, arranging, mixing, and much more. Whether you're a live performer, a producer, or just experimenting with sound, Loopy Pro helps you take control of your creative process.

Download on the App Store

Loopy Pro is your all-in-one musical toolkit. Try it for free today.

Ableton Move

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Comments

  • edited October 13

    Edit: (issue resolved)

  • Try connecting with your phone, that’s worked for some people.

  • Thanks Erik, I tried, no joy unfortunately. Do you know if this is a current issue for users? I've been trying to see if there had been any mention of it online. Cheers.

  • edited October 13

    .

  • edited October 13

    Edit: (issue resolved)

  • @SpookyZoo said:
    Thanks Erik, I tried, no joy unfortunately. Do you know if this is a current issue for users? I've been trying to see if there had been any mention of it online. Cheers.

    I haven't seen anything mentioned recently. A couple people had issues like this in testing, but usually restarting their router or trying to use the phone browser via cellular instead of wifi solved it.

  • move.local/ isn’t a website. It’s connecting to a web server inside the Move itself. That’s what the .local part means. It’s on your local network. You do not need an internet connection.

    Ableton Cloud is another matter. But for the Move Manager, focus your troubleshooting on your local Wi-Fi network. Or try it via USB-C cable instead.

  • The .local domain is not routable on the internet. It’s for “your local network”.

    https://en.m.wikipedia.org/wiki/.local

    If you can’t reach move.local it’s because your local network that your devices are attached to are not working properly with link local networking or, and this is my opinion , multicast DNS is not working right on your network because your router doesn’t support it or doesn’t support the same standard as move. So when your are typing “move.local” in your browser, mDNS can’t resolve it because your router doesn’t support your laptop or whatever computer you are trying to use mDNS for to find out the IP address of your move on your network by doing a multicast DNS lookup to the IP 224.0.0.251, which is a local broadcast address on your network. One thing you could try is, if you know what up address your move has on your local network, then you can add a host entry in your hosts file for move.local with that IP Address.

  • edited October 13

    @drez said:

    @espiegel123 said:

    @drez said:
    …..
    Is it not obvious that Ableton only makes hardware to push you toward Live? Is it not obvious that NI makes Maschine to push you toward the NI software suite?

    Ableton has 3 developers for an iOS app that costs 7 dollars lol. It’s not about selling enough Note licenses to pay for those 3 devs, it’s about selling the Ableton ecosystem.

    If apple ever opens up their driver walled garden, you will see Ableton Live on IPad because then they can also get you with the hardware purchases. Until then, you’ll have sidecar apps like Note that “do enough” to keep you doing something on the go and then pumping that output right back into the Hardware and Ableton Live on desktop.

    Further, Novation is only a hardware company that is trying to push hardware for everything. Of course they are class compliant, but their controllers aren’t anywhere near as advanced as native solutions like push or Maschine.

    The OS opened up the possibility of custom drivers in iOS 16 with the release of driver kit.

    Your original post mentioned Launchpad hence my bringing it up.

    I am not arguing that Ableton should open up ; I am just saying one can create devices that don’t require custom drivers . And that the Launchpad , which you mentioned, is an example. That’s all.

    I didn’t think the Launchpad was using a custom driver, but just using the generic class compliant driver that apple supports? Or is that incorrect?

    My understanding is that iOS 16 opened up the possibility of drivers, but to what extent that support is seems to be limited or companies would be trying to integrate it and we’d have a bunch more hardware iOS supported controller/audio devices on the market. Even some kickstarter or rasp PI based devices from folks, but I’ve seen none of that available.

    My understanding is that devices like the Push rely on a sort of API. I don’t think it’s much different from the way Launchpad operates. You need a middleware script layer to encode, send and receive the information in the format that the device uses and expects. That, I believe is what Loopy (or LK) are doing for interacting with these supported controllers that are beyond simple midi, to fill the layout with colored clips, signal which is clip is recording, etc. That is what the Jorgenmoss script does to allow Push integration with Bigwig or Reaper. BTW not only push but a ton of different hardware which he adapts the scripts for, I’m sure one will come up for Move.
    So there’s 2 things needed: a) a middleware script, b) that the app loads that script and uses it to communicate with the device. From what I can tell all the supported devices in Loopy, LK and so on, have such a middleware/api/script thingy, but they’re just not open or exposed. Meaning it’s the app developer who needs to create them. And that’s a lot of work. Whereas Bitwig, for example, lets you point to your own custom script, like the Jorgenmoss one… So I believe the way forward would be for Loopy or iOS apps to open up to integrating 3rd party scripts. And this is what I find surprisingly lacking and disappointing about Note and Ableton, that they don’t even support their own hardware. I don’t see how that could be Apple or any driver fault. I don’t install Push drivers on my desktop, it’s just the music app that knows how to communicate with it via a script that translates the commands both ways.

  • edited October 13

    @mistercharlie @drez Thanks guys, Move manager finally loaded up for me. I hadn't made any changes but I'll save these tips for next time. Ta. 👍

  • @SpookyZoo said:
    @mistercharlie @drez Thanks guys, Move manager finally loaded up for me. I hadn't made any changes but I'll save these tips for next time. Ta. 👍

    Awesome!! Glad you can move on 😛

  • edited October 13

    @Fruitbat1919 said:

    @AndyPlankton said:

    @Fruitbat1919 said:

    @cyberheater said:
    After some consideration I've decided that I'm not going to buy it. The lack of proper midi in/out ports is baffling and makes it very hard to integrate it into my rig.

    Looks good for a portable unit though.

    Would love to know some figures on how people use these types of portable music making devices, as in mostly alone, or mostly connected to other devices. Myself I agree that a certain amount and types of i/o ports are essential for many as we like to connect all our devices in many ways. I think it's the generations growing up with Lego lol - we are not happy with one box when we can put two together!

    I'm sure it will be a success due to those that use Live, but for myself, the lack of i/o severely limits the devices use.

    This is where I’m at. Would love to use this as part of my hardware set up but I would need either analogue or midi clock. I could use link but that means using the iPad or iPhone, in which case I may as well use note instead

    Becomes a bit of a puzzle to solve at times. I only have my iPad, Minilogue XD, Circuit Rhythm and an SP404mk2 all hooked up. At the end of this year I'm getting a Circuit Tracks and a SH4d to add to them. Next year possibly a Korg Wavestate Module too. The cabling alone with midi boxes and angled connectors so that I can squeeze it all in is head scratching at times. As for positioning of the units, I use children's wooden blocks held together with blutac lol

    Still using your OG Circuit Andy?

    No mate, I upgraded. I have both Tracks and Rhythm now. I’m still hunting for something to play longer samples on which Move looks ideal for.
    Tracks has a limitation when using the midi connections for me, particularly as I’m also using a Launchkey, the out and thru ports are separate and require a merge if you want to use a controller (LK) to play and record on the Tracks midi tracks which I have aVolca FM2 connected to. Without the merge box you can either play the Volca from the LK using thru port, or sequence it from the Tracks using out port, not both at the same time.
    The cabling is also a bit unwieldy as you say.
    My full solution to cabling and routing is on the way, hopefully November, a unit from CME (https://www.cme-pro.com/h4midi-wc-usb-host-midi-interface/) which is small footprint with MIDI I/O ports and a USB Host which can support up to 8 usb devices via a hub. It means I will be able to reduce the cabling by using USB and have much more flexible routing.
    For now I am using USB hub connected to iPhone and using AUM to do the routing. When using AUM for only midi routing, turn the buffer to its lowest value and the latency is minimal.
    I’m looking forwards to getting the CME unit to remove the need for the iPhone.
    I’m assuming the usb a port on the move is a usb host so you can plug a usb midi device in directly with no need for a separate host, but this means it would fit into my setup as it has no separate midi so couldn’t even use it as a sound module triggered by midi from one of the circuits. It also means I couldn’t use the move to generate ideas and then record the midi onto circuits either as there is no midi or clock sync.
    They are aiming at a portable Ableton for idea capturing, and have done that. It is just a shame that the clock isn’t there at all as it would have opened up so many more uses

  • Is move able to work as a basic midi controller for iOS via USB-A to USB-C? I can’t seem to get it working.

  • @AndyPlankton said:

    @Fruitbat1919 said:

    @AndyPlankton said:

    @Fruitbat1919 said:

    @cyberheater said:
    After some consideration I've decided that I'm not going to buy it. The lack of proper midi in/out ports is baffling and makes it very hard to integrate it into my rig.

    Looks good for a portable unit though.

    Would love to know some figures on how people use these types of portable music making devices, as in mostly alone, or mostly connected to other devices. Myself I agree that a certain amount and types of i/o ports are essential for many as we like to connect all our devices in many ways. I think it's the generations growing up with Lego lol - we are not happy with one box when we can put two together!

    I'm sure it will be a success due to those that use Live, but for myself, the lack of i/o severely limits the devices use.

    This is where I’m at. Would love to use this as part of my hardware set up but I would need either analogue or midi clock. I could use link but that means using the iPad or iPhone, in which case I may as well use note instead

    Becomes a bit of a puzzle to solve at times. I only have my iPad, Minilogue XD, Circuit Rhythm and an SP404mk2 all hooked up. At the end of this year I'm getting a Circuit Tracks and a SH4d to add to them. Next year possibly a Korg Wavestate Module too. The cabling alone with midi boxes and angled connectors so that I can squeeze it all in is head scratching at times. As for positioning of the units, I use children's wooden blocks held together with blutac lol

    Still using your OG Circuit Andy?

    No mate, I upgraded. I have both Tracks and Rhythm now. I’m still hunting for something to play longer samples on which Move looks ideal for.
    Tracks has a limitation when using the midi connections for me, particularly as I’m also using a Launchkey, the out and thru ports are separate and require a merge if you want to use a controller (LK) to play and record on the Tracks midi tracks which I have aVolca FM2 connected to. Without the merge box you can either play the Volca from the LK using thru port, or sequence it from the Tracks using out port, not both at the same time.
    The cabling is also a bit unwieldy as you say.
    My full solution to cabling and routing is on the way, hopefully November, a unit from CME (https://www.cme-pro.com/h4midi-wc-usb-host-midi-interface/) which is small footprint with MIDI I/O ports and a USB Host which can support up to 8 usb devices via a hub. It means I will be able to reduce the cabling by using USB and have much more flexible routing.
    For now I am using USB hub connected to iPhone and using AUM to do the routing. When using AUM for only midi routing, turn the buffer to its lowest value and the latency is minimal.
    I’m looking forwards to getting the CME unit to remove the need for the iPhone.
    I’m assuming the usb a port on the move is a usb host so you can plug a usb midi device in directly with no need for a separate host, but this means it would fit into my setup as it has no separate midi so couldn’t even use it as a sound module triggered by midi from one of the circuits. It also means I couldn’t use the move to generate ideas and then record the midi onto circuits either as there is no midi or clock sync.
    They are aiming at a portable Ableton for idea capturing, and have done that. It is just a shame that the clock isn’t there at all as it would have opened up so many more uses

    Sounds like you have a nice compact setup. Is that (like myself) to keep it as intrusive as possible? I'm hiding my cabling as much for the wife as my ocd lol.

    Yep noticed the Circuit needing a merge box on a vid I watched. Was originally going to get an MC707 as that let's you switch the input midi to one of the eight slider channels for control and have two stereo inputs mixed in on two of the sliders. Lots of great features on the MC707, but preferred the hands on of the SH4d and the sequencing simplicity of the Circuits. I'm keeping it simpler by not using a keyboard to play notes on the circuits, just enter them via the pads. I will have to merge midi outputs from the circuits to the SH4d though.

    The strangest thing I've had to hook up is some moving bocks pulled by a zip tie so that I can switch on the Minilogue XD without having to move the Circuit, which is covering the rear of it where the on switch is! As I said, children's building blocks and blutac keeps the back row of devices at the height needed. The back row of device being heightened is where I'm going to hide the midi merge box and all the cabling Hell lol.

    Made me laugh on one of the Move promo vids where they say it 'plays well with others' - with so much missing i/o ports I don't think so lol. As you say, it's an Ableton Live device for the most part.

  • @AndyPlankton just to add the SP404mk2 is nice and compact, has great sampling time and many other uses. Way better for crafting a sample than the Circuit Rhythm (which I have) and has some wonderful fx and works well as an audio and midi hub for an iPad or iPhone.

  • edited October 14

    Ok, watched Ricky Tines and Surco streams, and it's confirmed - in Drum track, you can use individual envelope / filter / effects PER PAD .. which is game changer cause (in comnination with chrommatic playback per pad) you can use basically 64 tracks split to 4 groups ..

    So i am really changing my opinion about this device, it's pretty powerfull, you can definitely do full tracks with it with that number of tracks available.

    around 25:50 he is talking about it

  • edited October 14

    it's a drum rack using the drum sampler not simpler with 16 pads so 16 tracks of monophonic sample playback on the 1 track (64 monophonic pad playback if you use all 4 tracks). you can't scroll up 64 pads on the 1 drum rack like in live to my understanding.

    The effects are the drum sampler filter/env/effects per pad and then 2 send effects for the drum rack.

  • edited October 14

    @mistercharlie said:
    move.local/ isn’t a website. It’s connecting to a web server inside the Move itself. That’s what the .local part means. It’s on your local network. You do not need an internet connection.

    Yes sorry @SpookyZoo my mistake, I thought it was a standard web address. Glad you got it sorted.

    @dendy said:
    Ok, watched Ricky Tines and Surco streams, and it's confirmed - in Drum track, you can use individual envelope / filter / effects PER PAD .. which is game changer cause (in comnination with chrommatic playback per pad) you can use basically 64 tracks split to 4 groups ..

    So i am really changing my opinion about this device, it's pretty powerfull, you can definitely do full tracks with it with that number of tracks available.

    You can, but it’s never going to be as flexible or useful for editing when transferred to desktop, as a dedicated synth or Simpler track. For me, that’s the whole point of the device - full integration with the Live desktop workflow, rather than compromised workarounds with chunks of Koala-style audio.

    Don’t get me wrong these look like loads of fun, and you can do serious stuff on them. If someone bought me one I’d have a great time with it. But Note offers better Live integration for a fiver, and the new Launchkeys make better controllers for a quarter of the Move price. I just find it hard to justify spending £400 of my own money on a Move.

  • @oldsynthguy said:
    You can, but it’s never going to be as flexible or useful for editing when transferred to desktop, as a dedicated synth or Simpler track. For me, that’s the whole point of the device - full integration with the Live desktop workflow, rather than compromised workarounds with chunks of Koala-style audio.

    I don't care much about desktop, didn't touched computer for music making probably since 2010 :-D

    I found it pretty flexible in HW world, because what this is, is basically 4 group tracks, and 16 independent track inside each one :-) so as standalone HW groovebox i found it pretty good concept :)

  • @Danny_Mammy said:
    it's a drum rack using the drum sampler not simpler with 16 pads so 16 tracks of monophonic sample playback on the 1 track (64 monophonic pad playback if you use all 4 tracks). you can't scroll up 64 pads on the 1 drum rack like in live to my understanding.

    The effects are the drum sampler filter/env/effects per pad and then 2 send effects for the drum rack.

    Hm.. so delay/reverb is just global per entire drum rack ? You can't have independent delay/reverb per pad ?

  • edited October 14

    @dendy said:

    @Danny_Mammy said:
    it's a drum rack using the drum sampler not simpler with 16 pads so 16 tracks of monophonic sample playback on the 1 track (64 monophonic pad playback if you use all 4 tracks). you can't scroll up 64 pads on the 1 drum rack like in live to my understanding.

    The effects are the drum sampler filter/env/effects per pad and then 2 send effects for the drum rack.

    Hm.. so delay/reverb is just global per entire drum rack ? You can't have independent delay/reverb per pad ?

    so i don't have move but checking on Note and looking at the data.

    drum sampler has independent filter/Env and the special drum rack effects per pad

    drum sampler reverb (padfx) is like a send to all 16 pads

    then you have the 2 send effects on drum rack

    you can make you own drum rack presets in Live so maybe there is more hacks to change effects or in the future.

  • @dendy said:

    @oldsynthguy said:
    You can, but it’s never going to be as flexible or useful for editing when transferred to desktop, as a dedicated synth or Simpler track. For me, that’s the whole point of the device - full integration with the Live desktop workflow, rather than compromised workarounds with chunks of Koala-style audio.

    I don't care much about desktop, didn't touched computer for music making probably since 2010 :-D

    I found it pretty flexible in HW world, because what this is, is basically 4 group tracks, and 16 independent track inside each one :-) so as standalone HW groovebox i found it pretty good concept :)

    Oh definitely. If I didn’t have to tick all these boxes for my desktop integration and control requirements, I’d get one!

  • edited October 14

    @Danny_Mammy said:

    @dendy said:

    @Danny_Mammy said:
    it's a drum rack using the drum sampler not simpler with 16 pads so 16 tracks of monophonic sample playback on the 1 track (64 monophonic pad playback if you use all 4 tracks). you can't scroll up 64 pads on the 1 drum rack like in live to my understanding.

    The effects are the drum sampler filter/env/effects per pad and then 2 send effects for the drum rack.

    Hm.. so delay/reverb is just global per entire drum rack ? You can't have independent delay/reverb per pad ?

    so i don't have move but checking on Note and looking at the data.

    drum sampler has independent filter/Env and the special drum rack effects per pad

    drum sampler reverb (padfx) is like a send to all 16 pads

    then you have the 2 send effects on drum rack

    you can make you own drum rack presets in Live so maybe there is more hacks to change effects or in the future.

    oh 2 sends .. that sounds like it is one type of reverb / delay per entire drum rack but then you can set different send amount for every pad which kinda makes sense (you do not want reverb on kick drum, bu you may want some reverb on snare and so on)

    I am starting to like this box.. really doesn't look that limited like it did look at beginning .. need dig a bit deeper, eventually waiting for Loopop review, but maybe will buy this toy :-) feels like something which can spark some inspiration ..

  • edited October 14

    @dendy said:

    @Danny_Mammy said:

    @dendy said:

    @Danny_Mammy said:
    it's a drum rack using the drum sampler not simpler with 16 pads so 16 tracks of monophonic sample playback on the 1 track (64 monophonic pad playback if you use all 4 tracks). you can't scroll up 64 pads on the 1 drum rack like in live to my understanding.

    The effects are the drum sampler filter/env/effects per pad and then 2 send effects for the drum rack.

    Hm.. so delay/reverb is just global per entire drum rack ? You can't have independent delay/reverb per pad ?

    so i don't have move but checking on Note and looking at the data.

    drum sampler has independent filter/Env and the special drum rack effects per pad

    drum sampler reverb (padfx) is like a send to all 16 pads

    then you have the 2 send effects on drum rack

    you can make you own drum rack presets in Live so maybe there is more hacks to change effects or in the future.

    oh 2 sends .. that sounds like it is one type of reverb / delay per entire drum rack but then you can set different send amount for every pad which kinda makes sense (you do not want reverb on kick drum, bu you may want some reverb on snare and so on)

    I am starting to like this box.. really doesn't look that limited like it did look at beginning .. need dig a bit deeper, eventually waiting for Loopop review, but maybe will buy this toy :-) feels like something which can spark some inspiration ..

    an option is to buy note for 7 euro and link a midi controller to the note macros and test drive it.
    although note does miss this 16-pitch thingy, note indeed misses one option at the moment.

  • edited October 14

    @Danny_Mammy said:

    @dendy said:

    @Danny_Mammy said:

    @dendy said:

    @Danny_Mammy said:
    it's a drum rack using the drum sampler not simpler with 16 pads so 16 tracks of monophonic sample playback on the 1 track (64 monophonic pad playback if you use all 4 tracks). you can't scroll up 64 pads on the 1 drum rack like in live to my understanding.

    The effects are the drum sampler filter/env/effects per pad and then 2 send effects for the drum rack.

    Hm.. so delay/reverb is just global per entire drum rack ? You can't have independent delay/reverb per pad ?

    so i don't have move but checking on Note and looking at the data.

    drum sampler has independent filter/Env and the special drum rack effects per pad

    drum sampler reverb (padfx) is like a send to all 16 pads

    then you have the 2 send effects on drum rack

    you can make you own drum rack presets in Live so maybe there is more hacks to change effects or in the future.

    oh 2 sends .. that sounds like it is one type of reverb / delay per entire drum rack but then you can set different send amount for every pad which kinda makes sense (you do not want reverb on kick drum, bu you may want some reverb on snare and so on)

    I am starting to like this box.. really doesn't look that limited like it did look at beginning .. need dig a bit deeper, eventually waiting for Loopop review, but maybe will buy this toy :-) feels like something which can spark some inspiration ..

    an option is to buy note for 7 euro and link a midi controller to the note macros and test drive it.
    although note does miss this 16-pitch thingy, note indeed misses one option at the moment.

    Yeah I noticed Note doesn't have that, though the 8 tracks covers my needs for a 'quick' sketchpad. The new Launchkey's might make a decent iPad controller too.

    Looks like I can get £50 discount on a v12 Live Suite upgrade if I buy Move, which has just made that one tempting again. Damn.

  • I'm not convinced to get a move yet, i have push 3 controller and I'm concerned over this seemly strategic lack of parity between systems. this whole transfer your projects between system isn't aligned. one has 4 tracks, one 8 tracks, one has pitched pads on drum rack. just align it all.

  • @Fruitbat1919 said:

    @AndyPlankton said:

    @Fruitbat1919 said:

    @AndyPlankton said:

    @Fruitbat1919 said:

    @cyberheater said:
    After some consideration I've decided that I'm not going to buy it. The lack of proper midi in/out ports is baffling and makes it very hard to integrate it into my rig.

    Looks good for a portable unit though.

    Would love to know some figures on how people use these types of portable music making devices, as in mostly alone, or mostly connected to other devices. Myself I agree that a certain amount and types of i/o ports are essential for many as we like to connect all our devices in many ways. I think it's the generations growing up with Lego lol - we are not happy with one box when we can put two together!

    I'm sure it will be a success due to those that use Live, but for myself, the lack of i/o severely limits the devices use.

    This is where I’m at. Would love to use this as part of my hardware set up but I would need either analogue or midi clock. I could use link but that means using the iPad or iPhone, in which case I may as well use note instead

    Becomes a bit of a puzzle to solve at times. I only have my iPad, Minilogue XD, Circuit Rhythm and an SP404mk2 all hooked up. At the end of this year I'm getting a Circuit Tracks and a SH4d to add to them. Next year possibly a Korg Wavestate Module too. The cabling alone with midi boxes and angled connectors so that I can squeeze it all in is head scratching at times. As for positioning of the units, I use children's wooden blocks held together with blutac lol

    Still using your OG Circuit Andy?

    No mate, I upgraded. I have both Tracks and Rhythm now. I’m still hunting for something to play longer samples on which Move looks ideal for.
    Tracks has a limitation when using the midi connections for me, particularly as I’m also using a Launchkey, the out and thru ports are separate and require a merge if you want to use a controller (LK) to play and record on the Tracks midi tracks which I have aVolca FM2 connected to. Without the merge box you can either play the Volca from the LK using thru port, or sequence it from the Tracks using out port, not both at the same time.
    The cabling is also a bit unwieldy as you say.
    My full solution to cabling and routing is on the way, hopefully November, a unit from CME (https://www.cme-pro.com/h4midi-wc-usb-host-midi-interface/) which is small footprint with MIDI I/O ports and a USB Host which can support up to 8 usb devices via a hub. It means I will be able to reduce the cabling by using USB and have much more flexible routing.
    For now I am using USB hub connected to iPhone and using AUM to do the routing. When using AUM for only midi routing, turn the buffer to its lowest value and the latency is minimal.
    I’m looking forwards to getting the CME unit to remove the need for the iPhone.
    I’m assuming the usb a port on the move is a usb host so you can plug a usb midi device in directly with no need for a separate host, but this means it would fit into my setup as it has no separate midi so couldn’t even use it as a sound module triggered by midi from one of the circuits. It also means I couldn’t use the move to generate ideas and then record the midi onto circuits either as there is no midi or clock sync.
    They are aiming at a portable Ableton for idea capturing, and have done that. It is just a shame that the clock isn’t there at all as it would have opened up so many more uses

    Sounds like you have a nice compact setup. Is that (like myself) to keep it as intrusive as possible? I'm hiding my cabling as much for the wife as my ocd lol.

    Yes, and to be unobtrusive I need it 'moveable' as I don't have a desk, it sits atop a home made rack which houses Audio Interface, a Drum module, Korg MIDI module and my guitar processor, and I remove the top and place it in front of me on either a keybord stand (when using bass station and mininova, or a drum stool when using the Volca and or TD3. I'm trying to get as little set-up time involved otherwiase I just don't bother LOL
    I've considered trading the whole lot for Push, MPC or Maschine but I'm just feeling those units.

    Yep noticed the Circuit needing a merge box on a vid I watched. Was originally going to get an MC707 as that let's you switch the input midi to one of the eight slider channels for control and have two stereo inputs mixed in on two of the sliders. Lots of great features on the MC707, but preferred the hands on of the SH4d and the sequencing simplicity of the Circuits. I'm keeping it simpler by not using a keyboard to play notes on the circuits, just enter them via the pads. I will have to merge midi outputs from the circuits to the SH4d though.

    You'll need a good quality merge box, I have a MIDIMAN one and it constantly crashes, I'm not 100% sure but I think the 2 circuits merged output results in a lot of CC traffic especially when switching patches. Novation said they have used Kenton and DoReMi devices without issues.

    The strangest thing I've had to hook up is some moving bocks pulled by a zip tie so that I can switch on the Minilogue XD without having to move the Circuit, which is covering the rear of it where the on switch is! As I said, children's building blocks and blutac keeps the back row of devices at the height needed. The back row of device being heightened is where I'm going to hide the midi merge box and all the cabling Hell lol.

    Haha, love the creative thinking with the moveable box :wink:

    Made me laugh on one of the Move promo vids where they say it 'plays well with others' - with so much missing i/o ports I don't think so lol. As you say, it's an Ableton Live device for the most part.

  • @Fruitbat1919 said:
    @AndyPlankton just to add the SP404mk2 is nice and compact, has great sampling time and many other uses. Way better for crafting a sample than the Circuit Rhythm (which I have) and has some wonderful fx and works well as an audio and midi hub for an iPad or iPhone.

    I've always overlooked these, I have been put off by the 'calculator' vibe I get with the look of them. I'll definitley be checking these out in a bit more detail now though ;)

  • @AndyPlankton said:

    @Fruitbat1919 said:
    @AndyPlankton just to add the SP404mk2 is nice and compact, has great sampling time and many other uses. Way better for crafting a sample than the Circuit Rhythm (which I have) and has some wonderful fx and works well as an audio and midi hub for an iPad or iPhone.

    I've always overlooked these, I have been put off by the 'calculator' vibe I get with the look of them. I'll definitley be checking these out in a bit more detail now though ;)

    If I was in your situation of having to set up each time, I would trade it all in and use an MPC X se with a controller keyboard instead lol. Problem is that's an expensive one off outlay and a bit all eggs in one basket.

    Thanks for the advice on the midi merge. Might make me rethink that to be honest - just not sure. I've been changing my mind so much that when I get close to getting the money together, Jo finds something new like a new bivvy for camping holidays lol. I've promised myself I'm definitely getting something end of this year lol

  • @Fruitbat1919 said:

    @AndyPlankton said:

    @Fruitbat1919 said:
    @AndyPlankton just to add the SP404mk2 is nice and compact, has great sampling time and many other uses. Way better for crafting a sample than the Circuit Rhythm (which I have) and has some wonderful fx and works well as an audio and midi hub for an iPad or iPhone.

    I've always overlooked these, I have been put off by the 'calculator' vibe I get with the look of them. I'll definitley be checking these out in a bit more detail now though ;)

    If I was in your situation of having to set up each time, I would trade it all in and use an MPC X se with a controller keyboard instead lol. Problem is that's an expensive one off outlay and a bit all eggs in one basket.

    Thanks for the advice on the midi merge. Might make me rethink that to be honest - just not sure. I've been changing my mind so much that when I get close to getting the money together, Jo finds something new like a new bivvy for camping holidays lol. I've promised myself I'm definitely getting something end of this year lol

    Just don’t get Jo started on hammock camping. All your money will be gone. 😂

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